WARREN NEIDICH
1962 Born in New York, USA
Lives and works in Berlin, Germany
EDUCATION
Washington University – St. Louis, Missouri, USA, B.A. Photography and Psychology, Magna Cum Laude
2006-2008 Artist in Residence, Center for Cognition, Computation and Culture, Goldsmiths College, London, United Kingdom
GRANTS / AWARDS
2010 Vilem Flusser Award, Transmediale, Berlin
2008 International Artists Studio Program in Sweden (IASPIS), Stockholm, Sweden
2005 Finalist Creative Capital Grant
Glenfiddich Artist Residency, American Representive, Summer
British Academy Award
2004 -2005 Arts Council of England Research Fellowship
2004 Madrid Abierto Public Sculpture Competition, Madrid, Spain
ACE-AHRB Arts and Science Research Fellowships
2003 Light Works, Schenectady, New York City, NY, USA
Künstlerhaus Bethanien, Berlin, Germany
2002 Lower Manhattan Cultural Council Dumbo Studio
Macdowell Foundation, Petersborough, NH, USA
7-degrees, Laguna Beach, CA, USA
2000 Santa Fe Art Institute – Santa Fe, NM, USA
1998 MacDowell Foundation – Petersborough, NH, USA
1997 Vermont Studio Center – Johnson, Vermont, USA
1994 - 1995 Villa Arson – Nice, France
1994 Hotel Chelsea – Cologne, Germany
1993 - 1994 Künstlerhaus Bethanien – Berlin, Germany
PROFESSIONAL EXPERIENCE
2011 Association of Art Historians, University of Warwick
2010 The Artful Brain,Perspectives in Neuroesthetics, Hanse-Wissenschaftskolleg (Institute for Advanced Study), Delmenhorst, Germany
Cognition and Poetics: Minding Language and Literature, Institut fuer Anglistik and Amerikanistik, Universitaet Osnabrueck, Germany
Guest Speaker, Harvard Graduate School of Design, Cambridge, MA, USA
Guest Speaker, Habitus in Habitat II – Other Side of Cognition, Zentrum für Literatur und Kulturforschung, Berlin, Germany
2009 Visiting scholar, Tu Delft School of Architecture, Delft, Netherland
Guest Speaker, The Politics of Life: Michel Focault and the Biopolitics of Modernity, Department of Cinema Studies, Stockholm University, Sweden
Conference Organizer, The Power of Art, The Drawing Center, New York, NY
2008 Conference Organizer, Architecture & the Mind, from Bio-Politics to Noo-Politics, Delft School of Design: TU Delft, Netherlands
2006 - 2008 Research Fellow, Center for Cognition, Computation and Culture
2005 Visiting Tutor, Center for Cultural Studies, Goldsmiths College, London, United Kindom
2004 Visiting Artist, Department of Visual Arts, Goldsmiths College, London, United Kingdom
2003 Visiting Artist, The Cooper Union for Arts and Science, New York City, NY, USA
1993 Visiting Instructor, Photography, School of Visual Arts, New York City, NY, USA
SELECTED SOLO EXHIBITIONS
2011 Education of the Eye, eCultural Center Belgrad, Belgrade, Serbia
History of Human Consciousness, Part 1 and 2, Galeria Moriarty, Madrid, Spain
2010 Book Exchange, Glenn Horowitz, East Hampton, New York, USA
2009 When You Cut Into the Present the Future Leaks Out, PS1, MoMA, New York City, NY, USA
Explume, Puerto Lumbreras, Murcia, Spain
Fax, Drawing Center, New York City, NY, USA
ARCO, Gallery Moriarty, Madrid, Spain
2008 Lost Between the Extensivity/Intensivity Exchange, Onomatopee, Eindhoven, Netherlands
Each Rainbow Must Retain the Chromatic Signature, it…, magnus müller, Berlin, Germany
2007 Blanqui's Cosmology, Trolley Gallery, London, United Kingdom
2006 Earthling 2, Andrew Mummery Gallery, London, United Kingdom
2005 Earthling, Michael Steinberg Fine Arts, New York City, NY, USA
2004 Silent: A State of Being, Madrid Abierto Public Sculpture, Madrid, Spain
2003 Edward Mitterand Gallery, Paris, France
Büro Friedrich, Berlin, Germany
Fröhliche Wissenschaft, Brandenburgischer Kunstverein, Potsdam, Germany
2002 Warren Neidich: The Mutated Observer, Part 2, California Museum of Photography, Riverside, CA, USA
Remapping, Edward Mitterand Gallery, Geneva, Switzerland
Some Stories Concerning the Relations of A Mutated Observer, müllerdechiara, Berlin, Germany
Warren Neidich, Photographs and Videos, Storefront For Art and Architecture, New York, NY, USA
2001 Warren Neidich: The Mutated Observer, Part 1, California Museum of Photography, Riverside, CA, USA
Beyond the Vanishing Point Los Angeles, Gandy Gallery, Prague, Czech Republic
The Camp O.J. Installation, Laguna Art Museum, Laguna Beach, CA, USA
2000 Beyond the Vanishing Point; Media and Myth in America, Bayle Art Museum, University of Virginia, Charlottesville, VA, USA
1997 Re-Cognition, Steffany Martz Gallery, New York City, NY, USA
1996 Pollock: Holding a Crow With Alchemy, Steffany Martz Gallery, New York City, NY, USA
1994 Cultural Residue, Villa Arson, Nice, France
Collective Memory / Collective Amnesia, Impressions Gallery, York, United Kingdom
1993 Together We Stand / Divided We Fall, Künstlerhaus Bethanian, Berlin, Germany
1991 The Battle Of Chicamauga, Photographic Resource Center, Boston, MA, USA
American History Reinvented, Perspective Space, Rotterdam, The Netherlands
Historical Interventions, List Center of Art, M.I.T., Cambridge, MA, USA
1989 American History Reinvented, Aperture Foundation, New York City, NY, USA
SELECTED GROUP EXHIBITIONS
2011 Uncommonplaces: Reinventing the Everyday curated by Pieter Vermeulen, Extra City, Antwerp, Belgium, ICI New York, USA
2010 The Object Lag, Intangible, A play, curated Emily Louise Williams, Nieuwe Vide, Haarlem, The Netherlands
100th Exhibition, curated Joep van Liefland, Autocenter, Berlin,Germany
Hidden Publics, Kunsthalle Palazzo, Liestal, Switzerland curated by Andrea Domesleand Walter Seidel
Bringing Up Knowledge, MUSAC, Leon, Spain, curated by Octavio Zaya
2009 Scorpio´s Garden, Temporary Kunsthalle, Berlin, Germany
Office, Komplot, Brussels, Belgium
Back to the Future, Coma Gallery, Berlin, Germany
The Fax Show, The Drawing Center, New York, NY
Some Cursory Comments About my Wall Drawing, La Filature, Mullhouse, France
Some Cursory Comments About my Wall Drawing, The Drawing Center, New York, NY
Lynchmob, HBC, Berlin, Germany
La Filature, Mulhouse, France
2008 Some Cursory Comments About my Wall Drawing, IASPIS, Stockholm, Sweden
Third Guangzhou Triennial: Farewell to Post-Colonialism, curated by Gao Shiming, Sarat Maharaj, and Johnson Chang Tsong-zung, Guangdong Museum of Art, Guangzhou, China
Open Studios, International Artists Studio Program in Sweden (IASPIS), Stockholm, Sweden
Garden of Delights: Yeosu International Art Festival, curated by Raul Zamudio, Yeosu, South Korea
The Mind in Architecture, From Biopolitics to No-politics, TU Delft, School of Architecture, Delft, The Netherlands
Multitasking, Stedelijk Museum s`Hertogenbosch, The Netherlands
Multitasking - Synchronität als kulturelle Praxis, Overbeck-Gesellschaft Lübeck, Germany
2007 Hospitality, TULCA 2007 Season of Visual Art Programme, Galway, Ireland
House Trip, curated by Ami Barak, special exhibition at Art Forum Berlin, Germany
Light and Neon, Edward Mitterand Gallery, Geneva, Switzerland
Myths, Air Garten, Berlin, Germany
Multiasking, curated by Barbara Lauterbach, NGBK, Berlin, Germany, continued to: Stedelijk Museum s’-Hertogenbosch, The Netherlands;
Overbeck-Gesellschaft, Lübeck, Germany
Blanquis Cosmology, Trolley Gallery, London, Untied Kingdom
Space Control, ASSAB ONE, Milan, Italy
9. Februar 2007, magnus müller, Berlin, Germany
Saloon, Moscow Biennial, Moscow, Russia
My Vision, Zephyr-Raum für Fotografie and Reiss-Engelhorn-Museen, Mannheim, Germany
2006 Apparatus, curated by Adina Popescu, Program Gallery, Berlin
Masquerade, curated by Deborah Irmas, Los Angeles California Museum of Art, Los Angeles, CA, USA
Complicit! Contemporary Art and Mass Culture, curated by Johanna Drucker, Sweet Dreams: Contemporary Art and Complicity, curated by Johanna Drucker, Bayle Art Museum, Univ. of Virginia, Charlottesville, VA, USA
The Expanded Eye, curated by Bice Kuriger, Kunsthaus Zurich, Switzerland
Protections, curated by Adam Budak and Christine Peters, Kunsthaus Graz, Graz, Switzerland
2005 Go-Between, curated by Wolfgang Fetz and Peter Lewis, Magazin 4 and Bregenzer Kunstverein, Bregenz, Austria
Library, Librarie, curated by Idealondon, Institute of Contemporary Art, London, United Kingdom
New Economy, curated by Eric Angles, Columbia University Art Gallery, New York City, NY, USA
CAC/tv, curated by Raimundas Malasauskas, Contemporary Arts Center, Vilnius, Lithuania
2004 Synaesthesia: A Neuro-aesthetic Exhibition, curated by Chloe Vaitsou, Institute of Contemporary Arts, London, United Kingdom
Everything is connected, He, He, He, curated by Gunnar Kvaran, Astrup Fearnley Museum of Modern Art, Oslo, Norway
2003 Fröhliche Wissenschaft, curated by Wilfreid Dickhoff, Brandenburgischer Kunstverein, Potsdam, Germany
In Media Res, curated by Michel Thurz and Anne Ellegood, Exit Art, New York City, NY, USA
In the Gloaming, curated by Koan-Jeff Baysa, Art Omi, Ghent, New York City, USA
Harlem Postcards, curated by Christine Kim, Studio Museum of Harlem, New York City, NY, USA
Twentieth Anniversary, curated by Sarah Herder, Storefront for Art and Architecture, New York City, NY, USA
Mobility, A Room With A View, curated by Francine Houben, International Architecture Biennale (as part of Indesem, 2003), Rotterdam, The Netherlands
2002 Project Room, Conversation Maps, De Chiara Gallery, New York City, NY, USA
No Accident: Contemporary Artists Explore 19th Century Photo Processes, curated by Lisa J. Young, Nassau Community College Art Gallery, Hempstead, NY, USA
Brewster Project, Histrionics, curated by William Stover, Brewster, NY, USA
Charlie Magazine, curated by Betina Funke and Marizio Catalan, PS1 Institute of Contemporary Art, Long Island City, NY, USA
Proper Villians, curated by David Hunt, Art Space, New Haven, Connecticut.
One Hand Clapping, curated by Koan-Jeff Baysa, Smack Mellon, Brooklyn, NY, USA
Fake, curated by Koan-Jeff Baysa, Post Gallery, Los Angeles, CA, USA
2001 Bitstreams, curated by Larry Rinder, Whitney Museum of American Art, New York City, NY, USA
Optical Verve, curated by Sylvie Fortin, Ottawa Art Gallery, Ottawa, OA, Canada
After the Diagram, curated by Laurie Firstenberg and Douglas Cooper, White Box, New York City, NY, USA
The Reality Effect; Contemporary American Photography, curated by Simon Taylor, Guild Hall, East Hampton, NY, USA
The Fact Show, curated by Vickie Clark, Pittsburgh Center for Contemporary Art, Pittsburgh, PA, USA
Urban Pornography, curated by Lauri Firstenberg, Artists Space, New York City, NY, USA
Video Windows, curated by Lauri Firstenberg, Stux Gallery, New York City, NY, USA
Bridge the Gap, curated by Hans Ulrich Obrist, Tokyo, Japan
2000 Transparent Architecture, curated by Anne Ellegood, Gail Gates, New York City, NY, USA
Chronos, curated by Regine Basha, Palazzo Tupputi, Bisceglie, Italy
Alternative-Alternative, curated by William Stover, Roebling Hall, Brooklyn, NY, USA
1998 Speed, curated by Bo Modestrand and Hakkan Nilsson, Art Node, Stockholm, Sweden - continued to: Bohulans Museum, Uddevalla; Galerie Box, Gothenburg; Uppsala Konstmuseum, Uppsala; Bildmusset, Umea (all Sweden)
1997 Notions of the Nineteenth Century, curated by Meg Linton and Tyler Stallings, Huntington Beach Art Center, Huntington Beach, CA, USA
Making It Real, curated by Vik Muniz, Aldrich Museum of Art, continued to:
Reykjavik Municipal Art Museum, Reykjavik, Iceland; Bayle Art Museum, Univ. of Virginia, Charlottesville, VA; Portland Museum of Art, Portland, Maine; Bakalar Gallery, Massachusetts College of Art, Boston, Ridgefield,
Emerson Gallery, Hamilton College, Clinton, NY, USA
America, curated by Omar Lopez-Chahoud, Hope 57, Brooklyn, NY, USA
1996 Follow the Yellow Brick Road, curated by Martin Kunst, New York Kunsthalle, New York City, NY, USA
Ports of Entry: William Burroughs, curated by Robert Sobieszek, Los Angeles County Museum of Art, Los Angeles, CA, USA
Continued to: Spencer Museum of Art – Kansas City, MI, USA
1995 Mapping a Response to MoMA, curated by Peter Fend, American Fine Arts, New York City, NY, USA
Photography After Photography, curated by Hubertus von Amelunxen, Stefan Iglhaut and Florian Rotzer, Aktionsforum Praterinsel, Munich, continued to:
Kunsthalle Krems, Krems, Austria; Städtische Galerie Erlagen, Erlagen, Germany; Brandenburgische Kunstsammlungen, Cottbus, Germany;
Muset for Fotokunst, Odense, Denmark; Fotomuseum Winterthur, Winterthur, Switzerland; The Finnish Museum of Photography, Helsinki, Finland; Institute of Contemporary Art, Philadelphia, PA, Germany
1993 Fever, curated by Jeanette Ingberman and Papo Colo, Exit Art, New York City, NY, USA
Fontanelle, curated by Christoph Tannert, Stiftung Starke, Berlin, Germany
1992 Salvage Utopia, curated by Paul Bloodgood and Elissa Friedman, AC Project Room, New York City, NY, USA
Relative Truths, curated by Tracey Bashkoff, Guild Hall, East Hampton, NY, USA
Summer Show, curated by Max Lang, Blum Helman Warehouse, New York City, NY, USA
Exhibition of the Atlanta Richfield Collection, curated by Herman Mhire, Southwest Louisiana Art Museum, Lafayette, Louisiana, USA
1991 New York Stories, curated by Richard Waskow, P.S.1, Institute of Contemporary Art, Long Island City, NY, USA
Chimique Versus Numerique, curated by Allain D’hooge, Palais de Tokyo, Paris, France
1989 Rethinking American Myths, curated by Mathew Postal, Larry Miller Gallery, New York City, NY, USA
Continued to: University of Connecticut Art Gallery, Stoors, USA; Connecticut; Bard College Artc Museum, Tillery, New York City, USA;
Photography of Invention, curated by Joshua Smith, National Museum of American Art, Washington DC, USA; The Museum of Contemporary Art, Chicago, IL, USA; Walker Museum of Art, Minneapolis, MS, USA
1988 Vom Landschaftsbild zur Spurensicherung, curated by Rheinhold Misselbeck, Museum Ludwig – Cologne, Germany
Television and Art, curated by Mark Miller, Queens Museum – Queens, NY, USA
The Nature of the Real, curated by Renee Ricardo and Paul Laster, White Columns – New York City, NY, USA
The Nature of the Grotesque, curated by Allen Ludwig, The Alternative Museum – New York City, NY, USA
PROJECTS AND SCREENINGS
2011 Love Letter to a Surrogate, MuHKA, Antwerp, Belgium
Unknown Artist, Paris Bar, Berlin, Germany
In the Mind’s I, curated by Linus Elmes, UKS-Unge Kunstneres, Samfund/Young Artist Society, Oslo, Norway
Love Letter for a Surrogate, Torrance Art Museum, Torrance, CA.
Perform,Now!,In the Mind s I, curated by Laurie Firstenberg, Human Resources Gallery, Los Angeles, Ca., USA
Deborah Hauptmann, Warren Neidich, Cognitive Architecture: From Bio-politics to Noo-politics, 010 Publications, Rotterdam
2009 Lost Between the Extemsivity/Intensivity Exchange, with texts by Sven-Olov Wallenstien, Lia Gangitano, and Freek Lomme, Onomatopee
2008 Warren Neidich, Drawings, Onomatopee, Eindhoven, The Netherlands
The Mind in Architecture, From Biopolitics to No-politics, TU Delft, School of Architecture, Delft, The Netherlands
2005 Earthling, essays by Barry Schwabsky and interview by Hans Ulrich Obrist, Pointed Leaf Press, NewYork, NY, USA
2003 Blow-up: Photography, Cinema and the Brain, essays by Warren Neidich with introduction by Norman Bryson, D.A.P. and the University of California, Riverside
2000 Camp O.J., photographs by Warren Neidich with texts by Charles Steinback and David Hunt, Bayle Art Museum, University of Virginia, Charlottesville, VA, USA
1994 Cultural Residue: Contamination and Decontamination, catalogue with Philip Pocock, Villa Arson, Nice, France
1993 Unknown Artist, essay by Bodjana Pedjick, Fricke & Schmid
1991 Historical Intervention, catalogue with David Joslit, M.I.T. List Center, Cambridge, MA, USA
1989 American History Reinvented, ed. Steve Dietz, photographs by Warren Neidich with essays by Lind Day, Reinhold Misselbeck, Christopher Philips, Lew Thomas and John Welchman, Aperture